Jacob Kemp

When I turned twenty-one, I spent the better part of a year in an attic, hiding from Nazis.

The calendar read 2011. I had just graduated from college. I was offered a role in The Diary of Anne Frank, to play Peter Van Daan. So I packed a suitcase, a carry-on, my winter coat, and left New York only weeks after I arrived—for Amsterdam, 1942. The actress playing Anne was a rising star in Chicago theater. A year later she’d be in a superhero movie, a blockbuster based on a comic-book. Onstage, she was a marvel. Scenes together, despite the long run of the show, the work and the sweat and the reaction of our energies each night, had that flinty and rare combination of absolute safety and vulpine unpredictability. We were well-matched. I awaited her articulation, her transformation into Anne, with the zeal of a tennis player anticipating a worthy opponent’s next serve. But in addition to being a formidable talent, she smoked.