By Katherine Jamieson
A tropical love story in Guyana.
The one-room schoolhouse rang with the din of teenage girls’ voices in the humid afternoon air. Someone had erased the sentences with their adjectives and nouns underlined from the black wooden slab we used for a chalkboard and scrawled out a rough schedule for the upcoming concert: Indranie—Chutney dance; Onica—I Believe I Can Fly; Wanda—Modeling.
Scratchy dub music played on the school’s dinged up tape deck, and a few girls gyrated their hips seductively to the deep bass line while the others sat around languidly braiding each other’s hair.
Deborah, the school prefect and informal director of the concert, was complaining to me. “Miss, dem first year girls actin’ stupidy, talking nuff nonsense. Miss, we must tell dem speak properly, and learn they lines, right, Miss?”
“Yes, yes, Deborah, please help them learn their lines,” I said fanning myself with some loose papers. I was sitting at one of the student desks, trying to imagine how the chaos in front of me would turn into a performance in the next six weeks, when we heard thumping sounds on the staircase.